Both Harry Styles' "HS4" and Beyoncé's "Act III" are shrouded in speculation, with fans eagerly awaiting official announcements. Both albums are expected to be experimental and explore personal themes, though the specific genres and collaborators remain largely unconfirmed. The success and impact of both albums will depend on their actual release and reception.
Attribute | Harry Styles - "HS4" | Beyoncé - "Act III" |
---|---|---|
Release Date | Spring 2026 (speculated) | Unconfirmed, fan theories suggest May 29, 2026, November 2026, or August 29, 2025 |
Genre | Rock, pop, experimental (speculated - blending electronic music with Indian pop, funk, psychedelic rock, or a return to HS1 pop-rock roots) | Theories include rock, jazz, gospel, R&B, or a blend of rock and funk |
Number of Tracks | Unknown | Not specified |
Singles Released | None confirmed yet | Predicted to be three singles |
Album Length | Unknown | Not specified |
Guest Artists | Fred Again.., HAIM, Olivia Dean, Florence Welch, and André 3000 (spotted with, not confirmed) | Possibilities include Jack White, Demi Lovato, Slash, H.E.R., Miley Cyrus, Stevie Nicks, Lenny Kravitz, Gary Clark Jr., Chuck Berry, Betty Davis, and Jay-Z |
Producers | Kid Harpoon and Tyler Johnson (speculated), Kit Harpoon | Not specified |
Songwriting Credits | Unknown | Not specified |
Critical Reception | N/A | To be determined upon release |
Commercial Performance | N/A | To be determined upon release |
Themes and Lyrical Content | Love, fame, personal growth, balancing personal life with fame, more emotional and introspective (speculated) | Theories include universal black love, futurism, reclaiming power, self-love, and Black identity. Exploration of Blackness as an art form through past, present, and future |
Target Audience | Dedicated fans (potentially more experimental and niche) | Not specified |
Price | Not available | Not available |
Ratings | Not available | To be determined upon release |